Amadine dabat1/6/2024 ![]() Health is one of the priority areas of cooperation between the two countries.ĪAFV will attend the Conference of the French-Vietnamese Health Federation, which will be held in Paris on 15 June, and the French Association of Agents Orange Symposium and Internal Disorders Conference. AAFV has also held several meetings on cooperation with Vietnam at the Chamber of Commerce in Paris, Lyon and Toulouse. AAFV participated in decentralized cooperation meetings between France and Vietnam. Jean-Pierre Archambault reiterates that bilateral and multilateral cooperation projects between AAFV and Vietnam are important in the AAFV Action Plan. And in the fight against climate change, the AAFV has always expressed its solidarity with Vietnam, one of the countries most affected by global warming and sea-level rise. The association has strongly defended Vietnam's sovereignty and sovereignty over the South China Sea. ![]() In addition, AAFV has collaborated with Vietnamese associations in France, France-Vietnam Friendship Parliamentary Group. AAFV has always been on the side of Tran To Nga in a lawsuit against 26 American chemical companies seeking to acknowledge the harmful effects of the toxic chemicals they had given to the US military in the Vietnam War on human health. After the United States lifted the 1994 embargo, it strengthened the development of relations between Vietnam and France and other countries around the world.ĪAFV works closely with the Red Cross in Vietnam to help victims of the war, especially the victims of Orange. After the victory of 1975, it was the support for the reconstruction of a devastated country in the context of the embargo against the US and the Western countries. Jean-Pierre Archambault said today that since its founding in 1961, friendship with Vietnam has always been a guideline in all AAFV activities.ĭuring the war years, it was solidarity with the Vietnamese people in the struggle for national independence and freedom. Overview of the main activities of AAFV to help the people of Vietnam in the fight for national liberation, as well as in the construction of land. Interview with Jean-Pierre Archambault, Secretary General of the AAFV, editor-in-chief of the magazine I wrote about nausea, and traced colonial travel in Pham Quynh’s 1922 voyage to France and in Albert de Teneuille/ Truong Dinh Tri’s Ba Dam (1930) that incites this physical and ethical nausea.On the occasion of the official visit to the French Republic at the invitation of President Emmanuel Macron, the Secretary General is expected to meet and pay homage to his French friends. It’s as if the body has more to say than we can know ourselves. The panel I organized focuses firstly on reversal and disruption and then how that disruption is localized onto and through the body. These intertextual references to imbalance and vertigo really struck me, and I found this conference an excellent opportunity to explore this further through a panel. And of course, if you’ve read Césaire’s Cahier du retour au pays natal (1939) , you know that Césaire documents almost exactly the same experience. 1967) about the Black man being recognized as such, and the Black man seeing himself for the first time as he is ‘interpolated,’ if you will. ![]() This metro encounter is very similar to something Frantz Fanon mentions in the fifth chapter of Black Skin White Masks (trans. There is something ungenuine about the whole situation. The boy says to his mother, “Look, a Black man!” In response, the mother of course, extremely embarrassed, tells her son, “Shush don’t say that! Say hello to him instead!” In this identification, and the dismissal of it, the narrator of the text immediately feels dizzy, suffocating, and a sense of imbalance. In a text called Mirages of Paris (Ousmane Diop Socé, 1937), a Black man travels to France and in the metro, he is called out by a young white boy. I came to this idea of Vertigo through a pattern that I noticed in some important colonial and postcolonial literature, where this major shocking experiences are accompanied by a physical sense of vertigo. Vertigo is therefore a very ambivalent term that can refer to both experiences of pleasure and discomfort, and experiences that we sense very concretely in our body, whether that is in our stomach, in our head, in the pounding of our heart, in the weakening of our knees, etc. reversal of truth and perception of reality It plays with the perception of truth and reality through the physical perception of space, that is, through heights and addresses:ģ. The film Vertigo (1958) by Alfred Hitchcock is a great representation of the different definitions that the term vertigo can embody.
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